Fair Pay for Film & AV Freelancers
๐ŸŽฌ

Fair Pay for Film & AV Freelancers

How the Netherlands built a sector-wide rate framework

DDG ยท FERA Annual Meeting 2026

The problem we had to solve

ZZP

Freelance-heavy sector

Dutch film and AV production relies predominantly on freelancers rather than employees.

No

Sector CBA for freelancers

No collective agreement existed that could be applied directly to this group.

2025

Public funding trigger

From 1 January 2025, fair pay became a condition for publicly subsidised cultural productions.

The practical question: if we want fair pay to be real, how do we build credible minimum freelance rates for a sector with many disciplines, project-based work, and no dedicated freelance CAO?

Who built it: The Ketentafel

The table

Sector-wide negotiating forum

Launched September 2022 under Platform ACCT / fairPACCT programme.
Independent chair: Doreen Boonekamp.
Supported by Ministry of Education, Culture and Science (OCW).
Research and methodology by Bureau Berenschot.

18 parties at the table

The full chain

Producers (NAPA, NCP), broadcasters (NPO, CvO), unions (Kunstenbond, FNV), guilds and craft organisations: DDG, DPA, NSC, NCE, NSC, ACT, VCA, ACM, PNN, Auteursbond, NAA and more.

Covering directors, writers, cast, camera, sound, editing, costume, post, VFX and agents. Every link in the chain was present.

The model in three steps

Step A

Benchmark

Use adjacent collective agreements as the reference market: the CAO for Broadcasting Personnel and the CAO for Theatre & Dance.

Step B

Base hourly rate

Translate benchmark salaries into a base rate using net deployable hours โ€” not nominal working hours โ€” per year.

Step C

Freelance uplift

Add a sector-specific freelance surcharge (74.45%) so the rate reflects real freelance costs and risks that employees do not bear.

This made the framework defensible: rates were not arbitrary, but derived from recognised salary structures plus a transparent, itemised freelance correction.

What are "net deployable hours"?

Starting point: a full working year

Item
Days
Total working days per year
261
Minus: weekday public holidays
โˆ’ 5/6
Minus: annual leave (25 days)
โˆ’ 25
Net deployable days
โ‰ˆ 230

230 days ร— 7.3 hrs avg = 1,686 hours/year

Why it matters for freelancers

An employee's salary covers all 261 working days โ€” including leave and holidays they are paid to not work.
A freelancer only earns on days they actually invoice. Leave and holidays are unpaid.
Using 1,686 deployable hours instead of 1,880 nominal hours means the base rate is already corrected for this gap.
The freelance uplift (74.45%) then covers costs on top of this โ€” not already covered in the base.

Why the uplift is 74.45%

25%

Non-billable time

Admin, acquisition, travel not charged.

15%

Non-billable costs

Equipment, overhead, business expenses.

23%

Social charges

6% health, 7% disability insurance, 10% pension.

11.45%

Fixed emoluments

8% holiday allowance + 3.45% year-end bonus.

74.45% is the total uplift on the base hourly rate. It explains in a structured, auditable way why a fair freelance rate must sit substantially above a nominal employee wage.

The backbone: 11 levels of work complexity

Opdracht Kompas โ€” A to K

Berenschot's job weighting model links any assignment to one of 11 levels using USB points, across 13 departments in film and AV production.

K โ€” Strategic, complex production lead320โ€“360 pts
H โ€” Head of department level210โ€“245 pts
E โ€” Mid-level specialist125โ€“150 pts
A โ€” Entry level9โ€“60 pts

Assessment criteria

Scope of responsibility and decision-making.
Required knowledge and expertise depth.
Complexity and production-wide impact.
Level of communication, coordination and influence.

This makes the discussion about the assignment, not about personalities or bargaining power.

What the 2026 outcome looks like

Level
Typical assignment
Rate 2024/25
Rate 2026
K
Complex lead direction / showrunner
โ‚ฌ62.45 /hr
โ‚ฌ66.64 /hr
J
Drama series / documentary direction
โ‚ฌ54.17 /hr
โ‚ฌ57.80 /hr
H
Head of department / 2nd unit dir.
โ‚ฌ42.06 /hr
โ‚ฌ45.44 /hr
E
Mid-level specialist
โ‚ฌ31.45 /hr
โ‚ฌ33.97 /hr
A
Entry level
โ‚ฌ27.00 /hr
โ‚ฌ29.16 /hr
6.71%

General 2026 indexation

Average of both reference CAOs.

8.03%

Lower scales Aโ€“H uplift

Extra increase in broadcasting CAO scales Aโ€“H.

Where directors are placed

K

Level K โ€” โ‚ฌ66.64/hr (2026)

Feature film director / complex prestige series. Full creative responsibility across all departments and all production phases. Broad specialist knowledge. High-stakes decisions with long-term consequences.

J

Level J โ€” โ‚ฌ57.80/hr (2026)

Drama series / documentary director. Creative responsibility for end result, steers multiple departments, advises production. Medium-to-large production scale.

How the fee is calculated

Rate × hours = minimum fee

Minimum rate (level) × negotiated hours = minimum fee

Hours per assignment are not fixed by the framework — they are estimated together.
The Opdracht Kompas timesheets list all tasks per department to build a realistic hour estimate before negotiating.
This shifts the conversation from a lump sum to a transparent scope: tasks first, hours second, fee last.

Six tools, not just one rate table

1. Glossary

300+ defined terms for contracts and negotiations. Shared vocabulary across all parties.

2. Assignment Compass

Score the assignment โ†’ determine the level โ†’ link to the rate.

3. Rate Matrix

Minimum hourly rates per level, indexed annually on 1 January.

4. Healthy Work Guide

Working hours, rest times, turnaround rules and safe production conditions.

5. Timesheets

Per-department task lists to estimate total hours before negotiating.

6. User Guide

6-step guide: from task analysis to opening bid. Published at fairpacct.nl.

Making it stick

Mandatory from January 2025

Applies to all productions receiving public subsidy: features, shorts, documentaries, animation, series, innovative media.
Committed parties include Filmfonds, NPO, broadcasters and producers.
Annual indexation published on 1 January each year at fairpacct.nl.

What remains a floor, not a ceiling

The start rate is the minimum โ€” experience, market value and project type justify higher rates.
Monitoring, evaluation and adjustment continue through the ongoing Ketentafel process.
A web-based Opdracht Kompas module is in development for easier adoption.

Lessons for FERA members

1

Use adjacent agreements

No sector CBA? Anchor the model in neighbouring agreements that are credible, public and recognised.

2

Weight the work

A complexity framework keeps the debate focused on the assignment โ€” not on power asymmetry or personal relationships.

3

Build a toolkit

Rates alone are not enough. Definitions, timesheets, a user guide and annual indexation make it live and usable.

Fair pay becomes actionable when methodology, negotiation tools and yearly indexation are all built into one coherent system โ€” and when the whole sector sits at the table to build it.

โš–๏ธ

Thank you

Dutch Directors Guild ยท FERA Annual Meeting 2026

fairpacct.nl ยท directorsguild.nl